66. Two-Point Intervallic Function Shapes Addendum: bb7, Octave Shapes

Ultimate Fretboard Visualization

Section 1: Course Introduction

1. Hello, Welcome & Thank You (0:30)
2. What Are We Going To Learn? (1:07)
3. What You Need To Know To Use This Course (0:36)
4. How To Get The Most Out Of This Course (0:46)
Important Note Before Moving On

Section 2: The Two-Point Visualization System

Section 3: Root Notes - The Foundation Of The Two-Point System

Section 4: Two-Point Intervallic Function Shapes: Basic Chord Tones

11. Intro: Just How Many Two-Point Intervallic Function Shapes Are There? (2:17)
12. Learning The Shapes For The 3 & Compensating For Standard Tuning (12:16)
13. Drilling The Shapes For The 3 Across The Fretboard With Solo (7:48)
14. Learning & Drilling The 5 (6:01)
15. Learning & Drilling The 7 (4:40)
16. Learning & Drilling The b3 (5:35)
17. Learning & Drilling The b5 (2:53)
18. Learning & Drilling The b7 (4:22)
Summary
The Core Intervallic Function Drill Exercise
Two-Point Intervallic Function Shape Diagrams PDF: Basic Chord Tones

Section 5: Practicing The Two-Point Intervallic Function Shapes For Basic Chord Tones

Section 6: Useful Tips For Internalising the Two-Point Intervallic Function Shapes

Section 7: Finding Arpeggios In Real-time Using Two-Point Intervallic Function Shapes

27. Intro: You’ll Never Get Lost Playing Arpeggios Again (2:21)
28. Root To Root Ascending (8:52)
29. Root To Root Descending (3:34)
30. 3 To 3 Ascending (5:28)
31. 3 To 3 Descending (0:33)
32. 5 To 5 Ascending & Descending (5:33)
33. 7 To 7 Ascending & Descending (5:58)
34. Developing Flexibility In Your Ascending Arpeggio Pathways (2:47)
35. Developing Flexibility In Your Descending Arpeggio Pathways (1:06)
36. Other 7th Chord Types In The Changes Trainer (0:39)
Summary
Exercises To Practice

Section 8: Using Two-Point Intervallic Function Shapes To Play Through Chord Changes

37. Improvisation Performance Through Autumn Leaves (2:55)
38. How We Use Two-Point Intervallic Function Shapes To Play Through Chord Changes (5:00)
39. The Exercises We Are Using (3:17)
40. Applying Fretboard Limitations To Enhance The Process (1:24)
41. Working With Single Chord Tones (5:30)
42. Working With Two Chord Tones (4:00)
43. Working With Three Chord Tones (3:35)
44. Working With Four Chord Tones & Randomisation (5:42)
45. Removing The Fretboard Limitations (2:04)
Summary
Exercises To Practice

Section 9: Two-Point Intervallic Function Shapes: Completing The Blueprint

Section 10: Finding Scales In Real-time Using Two-Point Intervallic Function Shapes

50. Intro: You’ll Never Get Lost Playing Scales Again (0:38)
51. Using The Two-Point Intervallic Function System To Construct Scales (5:26)
52. Randomising Intervallic Function Order In The Scale Trainer (4:04)
53. Practicing Scales Starting From Every Finger (1:12)
54. Root To Root Ascending (8:07)
55. Root To Root Descending (4:21)
56. 3 To 3 Ascending (6:15)
57. 3 To 3 Descending (4:23)
58. 5 To 5 & 7 To 7 Ascending & Descending (5:14)
59. Taking Your Scale Practice Further (5:38)
Summary
Exercises To Practice

Section 11: Two-Point Intervallic Function Shapes: Completing The Chromatic Scale

60. Same Shapes Different Chord Contexts (2:41)
61. Learning & Drilling The b2/b9 (4:07)
62. Learning & Drilling The #2/#9 (4:53)
63. Learning & Drilling The #4/#11 (2:37)
64. Learning & Drilling The #5 (4:15)
65. Learning & Drilling The b6/b13 (4:37)
66. Two-Point Intervallic Function Shapes Addendum: bb7, Octave Shapes & Optional Extras (2:54)
Summary
Exercises To Practice
Two-Point Intervallic Function Shape Diagrams: Completing The Chromatic Scale

Section 12: Putting It All Together

67. Fully Utilising The Intervals Trainer (7:13)
68. Fully Utilising The Scale Trainer (10:59)
69. Fully Utilising The Changes Trainer (1:24)
70. Randomised Chord Tones With Voice Leading (5:38)
71. Melodic Structure Levels (3:27)
72. Chord Scale Levels (10:50)

Course Conclusion

Additional Materials & Resources

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